Almost winter
I have decided, upon recent reflection, to rework my string orchestra commission to such a level that it will be an essentially new piece. I’m considering using a similar pitch set, however the structure of the piece will be quite different. I’m now conceiving it as full-orchestra piece due to an change of perception, and will start re-drafting immediately.
It is now, sealed by handshake, official that I am cover conductor for the USC Thornton Contemporary Music Ensemble this spring. We will be performing William Bolcom’s megawork “Orphée-Serenade” this April. I look forward to working with the eleven (!) incredible musicians playing the piece, and am thrilled and honored to be in this position— I’m grateful to the faculty for demonstrating such faith in me. CME was recently awarded as the top classical ensemble by the Los Angeles Times, so I am aware of the gravity of this appointment. I know I will grow immensely with this opportunity.
Spring projects include several art songs (probably no cycles), as well as a large project— that of writing the aforementioned Chamber Concerto for Two Violins for virtuoso sisters Sakura and Aki Tsai. A few more chamber pieces will be written, I am sure.
I look forward to returning to northern California in weeks to come. Please let me know if you are in the area.
